Patricia Lee
Softcover | 14.94 x 0.89 x 21.11 cm | 104 pp
Afterall | 2016 | 9781846381638
The One Work series is a library of small books, each title focusing on a single artwork that has significantly shaped the way we understand art and its history.
An illustrated examination of a work - a Warhol that isn't by Warhol - that embodies a shift in attitudes about artistic authorship and originality. Warhol Marilyn (1965) is not a work by Andy Warhol but by the artist Elaine Sturtevant (1930-2014). Throughout her career, Sturtevant (as she preferred to be called) remade and exhibited works by other contemporary artists, among them Jasper Johns, Roy Lichtenstein, and Robert Rauschenberg. For Warhol Marilyn, Sturtevant used one of Warhol's own silkscreens from his series of Marilyn printed multiples. When asked how he made his silkscreened work, Warhol famously answered, "I don't know. Ask Elaine."
In this book, Patricia Lee examines Warhol Marilyn as representing a shift in thinking about artistic authorship and originality, highlighting a decisive moment in the rethinking of the contemporary artwork. Lee describes the cognitive dissonance a viewer might feel on learning the identity of Warhol Marilyn's author, and explains that mistaken identity is part of Sturtevant's intention for the operation of the work. She discusses the ways that Sturtevant's methodology went against the grain of a certain interpretation of modernism, and addresses the cultural significance of both Warhol and Monroe as celebrity figures. She considers Dorothy Podber's shooting a bullet through a stack of Warhol's Marilyns (thereafter known as The Shot Marilyns) at the Factory in 1964 and its possible influence on Sturtevant's decision to remake the work. Lee writes that Sturtevant's critical reception has been informed by some fictional forebears: the made-up artist Hank Herron (whose nonexistent work duplicating paintings by Frank Stella was reviewed by a fictional critic), and (suggested by Sturtevant herself) Pierre Menard, the title character of Jorge Luis Borges's Pierre Menard, Author of the Quixote, who recreates a section of Cervantes's masterpiece line by line. And finally, she explores installation contexts and display strategies for Sturtevant's work as illuminating her broader artistic aims and principles.
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John Broadley is one of my favorite illustrators and also one of my absolute favorite books ever!
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This is the most beautiful book recording the last days of an iconic building. A book to leave open on certain pages, to devour & enjoy as you wish.
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This book made me think & appreciate painters & their work in a different way. Full of concise information to accompany each selected artist. Very glad to have a copy.
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Picked this up for a fiver and its been a great little book to get you to try and approach drawing differently. Have enjoyed it so far.
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John Broadley is one of my favorite illustrators and also one of my absolute favorite books ever!
The special shipping to Switzerland arrived very quickly and the book was perfectly wrapped! I E-Mailed the owner for a request to ship the book to Switzerland and he answered really fast and was very friendly.
I'm very happy about my purchase and can only recommend it.
This is the most beautiful book recording the last days of an iconic building. A book to leave open on certain pages, to devour & enjoy as you wish.
Quick delivery and the books are in perfect condition. I cannot recommend Books About art enough. Thank you!
This book made me think & appreciate painters & their work in a different way. Full of concise information to accompany each selected artist. Very glad to have a copy.
An excellent enjoyable book, very comprehensive in all aspects of varying designs. A must for all interested the creation of many things.