Margo DeMello
Softcover | 14.94 x 1.63 x 23.5 cm | 256 pp
Duke University Press | 2000 | 9780822324676
Since the 1980s, tattooing has emerged anew as a widely appealing cultural, artistic, and social form. In Bodies of Inscription Margo DeMello explains how elite tattooists, magazine editors, and leaders of tattoo organisations have downplayed the working-class roots of tattooing in order to make it more palatable for middle-class consumption. She shows how a completely new set of meanings derived primarily from non-Western cultures has been created to give tattoos an exotic, primitive flavour.
Community publications, tattoo conventions, articles in popular magazines, and DeMello’s numerous interviews illustrate the interplay between class, culture, and history that orchestrated a shift from traditional Americana and biker tattoos to new forms using Celtic, tribal, and Japanese images.
DeMello’s extensive interviews reveal the divergent yet overlapping communities formed by this class-based, American-style repackaging of the tattoo. After describing how the tattoo has moved from a mark of patriotism or rebellion to a symbol of exploration and status, the author returns to the predominantly middle-class movement that celebrates its skin art as spiritual, poetic, and self-empowering.
Recognising that the term “community” cannot capture the variations and class conflict that continue to thrive within the larger tattoo culture, DeMello finds in the discourse of tattooed people and their artists a new and particular sense of community and explores the unexpected relationship between this discourse and that of other social movements.
This ethnography of tattooing in America makes a substantive contribution to the history of tattooing in addition to relating how communities form around particular traditions and how the traditions themselves change with the introduction of new participants. Bodies of Inscription is of particular interest to readers of cultural studies, American studies, sociology, popular culture, and body art.
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I love this book. It's very readable, informative and well written, covering one of the most exciting and revolutionary periods of art history. The author includes glimpses of how the artists' early work fared at auction and the public's reaction to the new art movements in exhibitions.
Well all I can say after my experience is what a great site and service, ordered my first set of books, and through my own mistake they were sent back, this is where they truly shone, having been in touch with them, they helped me quickly get them sent back out, I added more books to the order, they arrived with-in 2 days, perfect condition, perfect delivery. Very very happy.
Would I use again. Very very much so, yes you can buy books anywhere. BUT, would you get the service if there’s an issue. I can’t fault the way they dealt with my issue , even if it was caused by myself.All the books were pristine. A+
I love Books About Art so much I feel conflicted about reviewing them. I have told friends and they are similarly addicted to a thoughtfully curated, wide ranging selection of books that cover all kinds of culture and always arrive promptly, as described. Just don't tell anyone I said so.
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A very readable and accessible guide to pivotal and controversial works of modern art. Each movement or time period is explained with useful timelines to provide wider historical context in which to place the artists and their work. Each selected art work is explained, the reasoning behind it, and why is was considered controversial. A really clear and useful guide.