Hannah Feldman
Softcover | 17.78 x 1.91 x 25.4 cm | 336 pp
Duke University Press | 2014 | 9780822353713
From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception.
Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as postwar. Yet it was during these very decades that France fought a protracted series of wars to maintain its far-flung colonial empire. Given that French modernism was created during, rather than after, war, Hannah Feldman argues that its interpretation must incorporate the tumultuous "decades of decolonisation" and their profound influence on visual and public culture.
Focusing on the Algerian War of Independence (1954–1962) and the historical continuities it presented with the experience of the Second World War, Feldman highlights decolonisation's formative effects on art and related theories of representation, both political and aesthetic. Ultimately, From a Nation Torn constitutes a profound exploration of how certain populations and events are rendered invisible and their omission naturalised within histories of modernity.
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A very readable and accessible guide to pivotal and controversial works of modern art. Each movement or time period is explained with useful timelines to provide wider historical context in which to place the artists and their work. Each selected art work is explained, the reasoning behind it, and why is was considered controversial. A really clear and useful guide.
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I've cut the sketchbooks open to give me A3 sheets. Love the colours
Top service
Does exactly what it says on the title.
Was looking for quite a niche book and it was a decent price and came quickly. Can't fault the service
Arrived quickly, well packaged